All Hallow's Eve is approaching once again, and my favorite part of the holiday is all the corresponding movies that turn up on television and in theaters. October is already over a week old, so it's time to get into a Halloween frame of mind.

The Unborn
When I last saw Odette Yustman she was one of several New Yorkers fleeing for her life from a large beastie with nasty pointy teeth in Cloverfield. The Unborn has her facing a different kind of evil, specifically the spirit of her twin brother who died in the womb, or perhaps it's an evil entity that hoped to enter the world through him (it's a little hard to tell). There are some nightmarish visuals on display here, and the crawling thing with its head twisted around both sticks with me and makes me wonder if it's an homage to the spider walk scene in The Exorcist. The often cool Gary Oldman also stars and the film is written and directed by David S. Goyer, so I think there's something good and creepy here.

Just Buried
Not a horror flim this one, but rather an extremely dark comedy. Jay Baruchel (who I will always remember as the Led Zeppelin loving nerd from Almost Famous) plays a young man named Oliver who has inherited a funeral home troubled by a fierce competitor and a lack of business. The plucky young female mortician in his employ insists he can't shut down the funeral parlor and the two embark upon a path to drum up business and squash the competition by causing a few untimely deaths. Could be a nice slice of morbid fun here. Check out Scott's review of the film.

The Uninvited
A young woman returns home from a stint at a mental hospital following her mother's untimely death, to find that her father has a new girlfriend (Elizabeth Banks). There's also a ghost who is apparently trying to tell our former mental patient heroine that the girlfriend killed the last family she lived with. This is a much darker role than I'm used to seeing Banks play, and she seems to handle it well. This is a remake of a South Korean film called A Tale of Two Sisters (Janghwa, Hongryeon) which was once recommended to me but has languished in my Netflix queue for several years. The trailer has some creepy moments and I'll probably check this one out. Here's Eric Snider's take on the trailer.

Let the Right One In
If you're going to attempt a vampire movie these days then you damn well better do something different with the idea, and it looks like the people behind this Swedish bloodsucker opus are clear on that concept. A bullied 12 year old boy finds both friendship and a tool for revenge in his new girlfriend who happens to be a vampire. Scott caught this one at Tribeca and penned a pretty strong recommendation, and the flick will be playing on October 24 in New York City. Sadly, the rest of us are going to have to wait for the eventual DVD release.

House
No, it's neither that 80s horror flick starring William Katt or that doctor show on the Fox Network. This House is a horror flick in which two couples find themselves trapped in a remote house and stalked by a lunatic calling himself the Tin Man. This one seems to meld classic slasher stuff with elements of slaughterfests like Hostel and Saw, none of which really appeals to me, and the cast isn't particularly interesting. I think I'll let this one slide.

New this week on AOL Moviefone:

• Paul Blart: Mall Cop - Kevin James plays a man who finally gets his dream job as a working in mall security. Check out the trailer right here:
  
  
  
• The International - Clive Owen plays an interpol agent targeting corruption in the world's largest banking institutions.
• Passengers -Anne Hathaway stars as a grief counselor who suspects foul play when the plane crash survivors she is working with begin to disappear.
• Valkyrie - Tom Hanks Cruise stars in this historical drama about a plot to assassinate Hitler.
• Fears of the Dark - Animated horror anthology. Here's the preview:
  
  
  
• Bedtime Stories - Adam Sandler is a Dad who finds the bedtime stories he's been telling his kids are becoming reality.
• Notorious - Biopic of rap star Notorious B.I.G.
• The Pleasure of Being Robbed - Indie film about a young woman and her elaborate acts of theft.
• I've Loved You So Long - A woman returns to her family after fifteen years in prison.
• Hank and Mike - Two recently fired Easter Bunnies find that changing careers is tougher than they thought.
• Talento De Barrio - A Puerto Rican youth must choose between a life of crime and musical supestardom.

She may have been Lost, but it looks like the redheaded Rebecca Mader has found a path and a sexy on-screen husband. The Hollywood Reporter posts that Mader is in final negotiations to play the lead female role in the super-wacky sounding Men Who Stare at Goats. That means she gets to play wife to Ewan McGregor's Bob Wilton -- a reporter in Iraq who meets a man (George Clooney) who says he's a "former secret U.S. military psychic soldier who was reactivated after 9/11." The plot is so very strange, and most likely destined to be awesome. But that's not all -- the film is also getting Stephen Lang, fresh off Avatar and Public Enemies.

In the what-if area of cinematic news: With a Ghostbusters sequel on the way, Bill Murray told MTV that he thinks a woman should be in on the action. That's not a bad idea at all, so the big question is: What funny woman out there can bring on the laughs AND kick ghostly ass? (Editor's interjection: Jenna Fischer.)

Meanwhile, the Fame cast has now come together, according to THR. Unlike star Thomas Dekker, who has made a name for himself through Terminators and Heroes, this is a big cast of unknowns -- Kristy Flores, Paul Iacono, Paul McGill, Naturi Naughton, Kay Panabaker, Kherington Payne, Collins Pennie, Walter Perez and Anna Maria Perez de Tagle. You can hit the link to find out who they're going to play, and in the meantime, wonder who Debbie Allen will be this time around. Rumor has it that she'll pop up in the film, but not as Lydia.

And Danny Glover is getting rusty. THR posts that he's headed to the future and lending his voice to Agent Crush, which you can learn all about at the film's website. He'll be Major Rusty Gibbons. And finally, a last bit of little fluff: Jude Law is growing his 'stache in preparation for Sherlock Holmes!

A long time passed since 10 Things I Hate About You hit the big screen. Julia Stiles got Bourne, Joseph Gordon-Levitt has become a powerhouse on the indie scene, and Heath Ledger ... we know what became of him. I'm guessing that his death and reminiscing moments about his work is what inspired this next piece of news: Ace Showbiz reports that ABC Family is going to make the Shakespeare-inspired film into a television series, with the film's director, Gil Junger, signed on to helm the pilot. In it, Kate and Bianca Stratford will face "their new high school environment." I don't know if that means freshman hitting the big leagues, or the girls moving to a new zip code, but I can only hope that they come up with a new love interest for Kate. There's only one Patrick Verona.

Hater has been on a long road to production, but it looks like the time is finally here. Almost a year ago, Guillermo del Toro had signed on to direct the adaptation of David Moody's novel. But then the Hobbit swept him away and left Hater director-less. Have no fear, Moody fans, the pic is back on track. Variety reports that the director of The Orphanage, Juan Antonio Bayona, will helm the feature when it kicks into gear next year. So, if you liked the one-two producer-director punch of del Toro and Bayona, this should be a treat!

Hit the jump for a few exhibition news bits for the next few months.

I predict that the news you are about to read will result in many people shocked, shocked! that someone would make a comedy about cancer. Even The Hollywood Reporter sounds a little uncertain about the news. But once you read the film's plot, I think you're going to see exactly what kind of movie this is.

Mandate Pictures has bought I'm With Cancer, an autobiographical comedy by Will Reiser. Seth Rogen, the busiest man in Hollywood, is set to costar and produce the film alongside his writing-producing partner Evan Goldberg and The Daily Show's Ben Karlin.

Reiser's script is based on his own battle with cancer, and is centered around an up-and-coming 25-year-old who discovers he has the disease. I think you know where this is going. This isn't going to be some spoof of serious illness, or run with the idea that coming down with cancer is funny. Cancer is going to be about a young man trying to deal with something that could kill him, finding the humor in hospital situations, and using it to stay sane. Laughter is the best medicine, and all that. Given that Reiser obviously conquered his disease to co-produce this movie, I bet it will even have a happy ending. You know what I'm also willing to bet on? Medicinal marijuana jokes. If there isn't at least one, I will eat this post.

(Mike Leigh's "Happy-Go-Lucky" opens in limited release this weekend, and so we're reprinting our Telluride review from this past August.)

By: Kim Voynar

With his latest effort, Happy-Go-Lucky, director Mike Leigh takes a departure from the dark mood evoked by most of his films with a charming little tale about an eternally optimistic school teacher, Poppy (Sally Hawkins, previously seen in smaller roles in Leigh's films Vera Drake and All or Nothing), who breezes through life, always seeing the glass half full. Poppy is one of those people who never seems to get down about anything. She smiles at surly strangers, strikes up conversations with people who'd clearly prefer to be left alone, and puts a positive spin on everything.

When her bike is stolen, Poppy shrugs it off and decides to take driving lessons; her driving instructor, Scott (Eddie Marsan, also a Leigh alum from Vera Drake) is Poppy's polar opposite. Some of the film's best moments are when she's interacting with Scott and we have the dramatic tension of his simmering anger to contrast with Poppy's perkiness. Scott is intensely uptight, seems to hate everyone and everything, and adheres firmly to the belief that if only everyone would follow a strict set of rules (his rules, of course), all would be well. Naturally, the two clash.

Welcome to the Indie Spotlight, our weekly roundup of the limited-release films opening outside the multiplexes all over this great land of ours. There are quite a few indie films debuting today, and while it's especially good news for movie buffs in New York City, the rest of us can make a note of the ones that look good and keep an eye out for when they come to our neck of the woods (wherever that neck may be).

Today we have, in alphabetical order: Ashes of Time Redux, Billy: The Early Years, Breakfast with Scot, Choose Connor, Fraude: Mexico 2006, Good Dick, Happy-Go-Lucky, Nights and Weekends, and Talento de Barrio. Here's the scoop on each of them, from widest opening to smallest.

Billy: The Early Years
What it is: A friendly, faithful biopic about the Rev. Billy Graham.
What they're saying: Nothing so far. If I had to guess, I'd reckon fans of the good reverend will find it pleasant, while those unfamiliar with or uninterested in him will find it boring. That's if I had to guess.
Where it's playing: About 300 locations throughout the southeastern quadrant of the United States, below the Mason-Dixon line and east of Amarillo.
More info: Here's the official site.

Talento de Barrio
What it is: Puerto Rican drama starring Daddy Yankee as a drug dealer who falls in love and becomes a reggaeton singer. I guess it's like a Puerto Rican Hustle & Flow.
What they're saying: The only two reviews available so far are very, very negative.
Where it's playing: About 20 screens in the greater New York City and Los Angeles areas.
More info: The official site lists the theaters it's playing in.

Sixteen years ago, we got Beethoven -- not Ludwig, but rather the big ol' St. Bernard. Just in case four sequels and a stint on television wasn't enough for you, The Hollywood Reporter posts that Universal is releasing yet another direct-to-DVD sequel on December 30 -- Beethoven's Big Break. I guess they gave up punning on Ludwig with their titles. But just because it's not going to the big screen doesn't mean you can't see the pup in huge glory -- it seems that a giant Beethoven balloon will be part of the Macy's Thanksgiving Day Parade this year. I bet it'll be cuter than the movie.

In other DVD news: Have you ever scoured the DVD shelves, discovered some strange, old film with current stars, and comment on how someone unearthed the crappy flick to make money on the actor's newfound fame? Well, this next bit is something like that. THR also reports that ex 90210 gals Tori Spelling and Shannen Doherty are hitting DVD shelves with Kiss the Bride and Kiss Me Deadly (respectively, and I don't think connected) to tap into some of that spotlight currently shining once again on Beverly Hills High. Ever watch either flick? Thumbs up ... down?

Finally, James Gunn's PG Porn has debuted. You can check it out after the jump. Remember -- just because Aria Giovanni is in it doesn't mean that it's going to be explicit. So, check out Nathan Fillion acting like a porn star who doesn't get the goods -- it's not quite Funny or Die funny, but I'll definitely keep watching.

Like several worthwhile movie companies, Anchor Bay began by catering to the horror geeks. The company delivered fantastic DVDs of cult and classic genre flicks, and then began to branch out in all different directions. Over the past year or so, AB has dipped its toe into the theatrical pool, and now it looks like they're about to bring their cinematic output to a whole new level.

According to Variety, the "plan is to primarily acquire finished films it will roll out theatrically on fewer than 100 screens before distribbing them on other platforms like DVD, Starz's pay-TV service, the Internet, pay-per-view and video-on-demand, for example." The article goes on to mention the distributor's early forays into theatrical release -- titles like The Grand, Sex and Death 101, and Surfer, Dude -- but there's no mention of Hatchet, Spiral, and / or Behind the Mask in this story? Coulda sworn they were earlier than those other flicks.

Anyway, good luck to Anchor Bay in their ten-movie-a-year plan. Here's hoping most of their acquisitions are good ones -- and that a few slots are still dedicated to the scary stuff. (I'm betting that Rob Hall's Laid to Rest will be one of AB's early releases, and Erik says the "very funny" Bart Got a Room should also be on that list.) Glad to know that the money I spent on three different DVD versions of Evil Dead 2 is being used wisely.

You'd think that being married to Madonna, Guy Ritchie would have picked up on the value of occasionally reinventing oneself. But no, he keeps making the same movie, the same ultra-cool exercises in British gangster violence and stylish criminal shenanigans, and RockNRolla is the latest entry. Then again, the one time he did try something different, the result was Swept Away, so maybe he's wise to stay in his comfort zone.

At any rate, RockNRolla inspires strong feelings of "meh" in me. It's not nearly as clever, funny, or stylish as Snatch or Lock, Stock and Two Smoking Barrels, though the accents are a lot less indecipherable this time around, so that's nice. It's also not as good as Gangster No. 1 or Sexy Beast or many of the other gritty British gangster capers that have come around in the last several years. It feels like a rerun -- which isn't necessarily a bad thing, after all. People watch reruns all the time.

Our narrator is Archie (Mark Strong), who works as the calm, suave right-hand man to Lenny (Tom Wilkinson), the most powerful money-lender and underworld boss in London. Half the city's councilors, judges, and cops are in Lenny's pocket, and he has leveraged this influence into a massive fortune in real estate.

Lenny is not a figure to be messed with, but the Russians don't know that. A new mover and shaker named Uri (Karel Roden) has come to town to strike a deal with Lenny -- it involves paying Lenny to bribe city officials to get a construction project underway -- and he's a formidable figure himself. Lenny is old school; Uri is dangerously modern.

While I'm sure we'll all agree that these past few years have given us some wonderful little comedic gems, it's often unfortunate to see most of the attention thrown at one particular sex, or, in some cases, one particular man: Judd Apatow. But this post won't be about Judd Apatow, or Seth Rogen ,or Jonah Hill, or Michael Cera, or Will Ferrell, or Adam McKay, or Vince Vaughn, or Owen Wilson, or Kevin Smith ... or any of the male names that currently populate (and dominate) some of your favorite comedies. Nope, because it's about damn time we give the ladies some respect.

I'm sick of the female roles in comedies today. She's either the bland girlfriend, or the bland friend, or the bland enemy -- she's full of cliches, and only serves two purposes: 1) to help move the story along, and 2) to make her male counterpart appear funnier. That said, Hollywood is beginning to take more chances on the female-driven comedy, with films like Baby Mama, The House Bunny, Sex and the City, Bride Wars and Confessions of a Shopaholic all arriving in theaters this year or in early 2009. But is this enough? Is there better, smarter and funnier material for women out there, somewhere ... over the rainbow? While you ponder that, here, in my opinion, are the funniest ladies of 2008 (in no particular order) ...


1. Tina Fey

Right now you know her as "that woman who does the awesome Sarah Palin impersonation," but people forget Fey has been making us laugh for a good while now. One of three four women on this list who began their career on Saturday Night Live, Fey brings hilarity from multiple directions. Whether she's producing, writing or starring, anything with her name on it is guaranteed to bring in more than a few laughs ... and then some. (See: Mean Girls, 30 Rock, Baby Mama)

If you think back to the warmer days of summer, you might remember that Jessica posted about an upcoming Internet porn flick called Middle Men. Set to be a comedy, the film was said to follow some normal dude who ends up in the center of that biz we call adult entertainment during the early days of Internet porn (mid-90s, I guess?).

And now we have our men of porn. Variety reports that James Caan, Gabriel Macht, Peter Stormare, and Rachael Taylor have signed on for the film, which will star Luke Wilson and Giovanni Ribisi -- all in yet-to-be-disclosed parts. The film is also sounding a wee bit different these days. Yes, it's still about some regular guy -- a "straight-and-narrow businessman who builds the first online billing company dealing exclusively with adult entertainment." But then there's a bit of an insane twist. He finds "himseld in the middle of a whirlwind filled with starlets, conmen, Russian mobsters, federal agents, and international terrorists."

Well, this is nothing like I expected -- dudes spending late nights on Stile Project's old cam pages while girls contort themselves while basking in the glow of their monitors. Maybe writers George Gallo (who will direct) and Andy Weiss were hanging out with Guy Ritchie. How terrorists, conmen, and Russian mobsters all get involved is anyone's guess, but it's kind of hard not to be intrigued with that cast.

When it comes to 'Zombie comedy', (if that is even such a thing), you have to admit that it is going to pretty difficult to top Shaun of The Dead -- but you can't blame someone for trying. The Hollywood Reporter announced that Jesse Eisenberg (The Squid and the Whale) has signed to star opposite Woody Harrelson in the horror-comedy, Zombieland. According to THR, "Eisenberg is in negotiations to play Flagstaff, a terrified shut-in whose cowardice makes him an expert at surviving the zombies but who is forced out of his shell to join the band of survivors, which includes Harrelson."

Zombieland was written by Rhett Reese and Paul Wernick, and is about a "mismatched pair of survivors who find friendship and redemption in a world overrun by zombies." So I guess that makes Zombieland a comedy, a horror, and a 'feel-good' buddy flick? Ruben Fleischer has already signed to direct, and is a relative newcomer to the world of feature films. Fleischer might only have a few credits to his name, but he can include the dubious distinction of being one of the people responsible for unleashing Rob & Big onto the world.

Zombieland could be a gamble for Columbia. 'R rated' comedy has yet to prove that it can compete at the box-office, so it was only a matter of time before studios started tacking on a body count. Personally, I think I'll just hold out for Seth and Jay vs. The Apocalypse instead. How about you?

This summer's Get Smart reboot, with Steve Carell as Maxwell, was far from brilliant, but sweet Jebus, Carell is funny. His improvised dance with a bewildered-but-willing overweight partygoer is one of this year's comic highlights -- a perfect blend of good-natured mockery and non sequitur. So the official announcement of the inevitable sequel strikes me as a good thing. I doubt they'll ever come up with any sort of finely tuned masterwork, but I figure it's guaranteed to have a bunch of great moments. Big budget comedies are often so dire that "uneven with flashes of inspiration" is music to my ears.

Even better, the success of Get Smart has earned Carell a three-year deal with Warner Bros., giving him a chance to develop both starring vehicles and projects for others. It's good to see the right people take off like this, y'know? On the other hand, it's kind of unfair: why do today's teenagers get to inhabit a comedic landscape dominated by the likes of Carell, Judd Apatow, Michael Cera, Seth Rogen, etc., while I got Adam Sandler and Mike Myers? Kids these days, they don't know how good they got it.

I guess I liked Mike Myers back when; I was 13 when the first Austin Powers came out. I still kind of like him. But he's certainly overshadowed by the crop of comics in today's mainstream.

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?